![]() If you can't spare 2 hours each week, then maybe this course isn't right for you- at least not until you're able to free up a bit more time. The more time you put in, the better, but a minimum of 2 hours every week is important. If you can spare at least 2 hours per week, you'll be able to make the most of this course. This has been a critical part of the design of the course- to ensure we do have the time, even with family, work, and life commitments. This course is spaced out very carefully, so things aren't too overwhelming and so we can put in the needed amount of time to really make our work look great. This is the best learning environment for story artists that we have found. We solved that problem inside the Story Artist Mentorship. How can you land the jobs you want if you do not have insider access to veteran pros? if they are willing to take the time to mentor you. The only other way to get the kind of intense learning found inside the mentorship is to get hired by the big studios and learn the hard way from other veteran artists. Plus, tuition at these schools for one year can cost up to $30,000! And you still don’t have the skills you need to land a job! I can honestly say nothing else out there is like this.Ĭolleges and universities try their best to give storyboarding or film classes but nothing out there will take you to the finish line with your portfolio. This course is by far the most robust we've ever taught, whether it be online, or even private classes that we've taught at Lucasfilm, Siggraph, CTN, or many other events. This course goes for a full year, with every module containing in-depth, high-end lessons on subject matter not available anywhere else. This is the best learning environment for story artists you'll find. ![]() ![]() The only way to get the kind of intense learning found inside the Mentorship is to get hired by the big studios and learn the hard way on the inside from other veteran artists. Tuition at these schools for one year can cost up to $30,000! And you still don’t have the skills you need to land a job. We are here to tell you it is possible to have a career as a pro storyboard artist for a FRACTION OF THE COST of what art schools and universities charge.Ĭolleges and universities try their best to give storyboarding classes or film classes, but nothing out there comes close to the content of our Mentorship. If you're struggling to break into the entertainment industry or gain traction with your art it doesn’t have to be that way. Taught by professional artists who are working in major entertainment studios, we train you to do studio-quality work. Whether you are a recent art-school graduate, or working artist looking to improve, the 1-year intensive Mentorship Program is for people who want a career as a storyboard artist. ![]()
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